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The Piano Music of Percy Grainger: A Pianist's Perspective on Pedalling

机译:percy Grainger的钢琴音乐:钢琴家对踏板的看法

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摘要

Eminent pianist and composer Percy Aldridge Grainger (1882–1961) filled his original music and folksong arrangements with detailed, though idiosyncratic instructions to performers. The extent to which his own meticulous pedal technique is mirrored in careful directions to pianists is both unusual and revelatory. Grainger's scores are examined here from the standpoint of the damper, sostenuto and una corda pedals. Numerous musical examples serve two purposes: 1) they give information concerning the complexity of Grainger's pedal technique and 2) they exhibit the array of notational methods the composer employed, at various stages in his career, to enable performers to replicate as nearly as possible his own scrupulous pedalling. As well, by examining in detail this one aspect of Grainger's rich artistry, light is shed on the relationship between composer and performer, and notation and interpretation, that Grainger sought to understand and articulate ever more clearly throughout his career.
机译:著名的钢琴家和作曲家珀西·奥尔德里奇·格兰杰(Percy Aldridge Grainger,1882–1961年)用详尽而独特的指导向表演者们灌输了他的原始音乐和民歌安排。他自己细致的踏板技术在细心的指导下反映给钢琴家的程度既不寻常又具有启发性。 Grainger的分数从阻尼器,sostenuto和无绳踏板的角度进行检查。许多音乐实例有两个目的:1)提供有关Grainger踏板技术复杂性的信息; 2)在作曲家职业生涯的各个阶段,展示其作曲家所采用的一系列符号方法,以使表演者尽可能地复制他的作品。自己谨慎的脚踏。同样,通过详细检查Grainger丰富的艺术性的这一方面,可以了解Grainger在其整个职业生涯中试图更加清晰地理解和表达作曲家与表演者之间的关系以及符号和解释。

著录项

  • 作者

    Carruthers, Glen;

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  • 年度 2001
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  • 原文格式 PDF
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